Safety on Set
CUAPPR515 - Establish and maintain safe creative practice
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This subject provides an introduction to the essential administrative requirement of the Producer, following industry-standard documents and procedures. The purpose of this subject is to teach the film and performance practitioner to; determine work health and safety requirements in a given environment and occupation, to help them identify hazards and assess and manage risks, and to monitor and enhance the safety of their practice. Having sound practical knowledge of safety is paramount for film sets and sound stages.
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Producer’s Craft - Budgeting
CUAPPM431 – Compile production schedules
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This core introductory course outlines the essential roles, tasks, and obstacles faced by producers in the entertainment industry. Students will learn the importance of balancing the creative vision of a project with the logistics and budgetary constraints. Students will break down a script, create a shooting schedule, and learn how to identify all necessary elements.
Students will also learn to build budgets, make critical assumptions, and learn about unions and guilds. They will learn about film production incentives and how to track those costs. Students will be introduced to and trained on the industry-standard software.
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Elements of Screenwriting
CUAWRT401 – Edit texts
CUAPPR415 – Develop and discuss ideas for own creative work
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The student will begin the process of learning the craft of screenwriting. They will also gain insight into the creative collaborative process of filmmaking as they write, edit, and reflect on their own writing and projects with fellow students and their trainer. Students gain a good understanding of the fundamentals of storytelling and editing text, as they are immersed in essential aspects of writing for the screen, editing, and the collaborative process of developing screen stories.
Students will learn correct formatting, how to write scene descriptions, describe characters and locations, and how to develop action sequences appropriate to the genre and style of the project they are writing. They will also learn to appraise their own work, and that of others, engaging constructively in the creative collaborative process of concept development.
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Cinema Studies
BSBCMM411 – Make a presentation
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Cinema Studies introduces students to the evolution of the motion picture industry from its inceptions. Students will be given a thorough creative, technological, and industrial view of the art of filmmaking from historical and theoretical viewpoints. Students will present their own research findings and a short film.
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Directing for Producers
CUADRT512 - Direct performers for screen productions
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Effective producers create a collaborative and artistic production environment that enhances each director’s skills and provides the support needed to make the best possible project. Each student will direct their own individual film scene and will work in collaborative groups to develop and shoot a short film. Students will learn the elements of film directing and how to collaborate to tell a visual, narrative story. Students will learn film production standards and practices, working with actors, basic production documents, and the fundamentals of telling a story through the camera.
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Film Production
BSBPMG430 - Undertake project work
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Students will develop critical line producing skills working with others. Producing students will line produce a short film and gain an understanding of the production management and preproduction process. They will plan a production, monitor its progress, and resolve any issues that arise.
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Producer’s Craft - Creative
CUAWRT512 - Develop storylines and treatments
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This subject continues the study of the essential roles of and obstacles faced by film and television producers. Students will learn to develop storylines.
Topics include developing stories, optioning and developing material, doing coverage for screenplays and pilots, working with agencies and writers, and also packaging, as well as the television industry. Students will devise vision statements for a project and will also learn the basics of when and how to do various kinds of pitches, which they will workshop in class.
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Producing Documentaries
CUAWRT415 - Write narration and material for productions
CUAAIR411 - Plan and conduct interviews
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This subject offers producing students valuable exposure to documentary storytelling and filmmaking. Working in small collaborative teams, students will pitch, develop, and shoot a short documentary incorporating interviews and coverage. Teams will work collaboratively, pitching to each other, bringing cuts of their footage to class for feedback, and going through a notes process for their rough, fine, and final cuts, ultimately delivering a cut ready for distribution. Students will also learn the fundamentals of both production sound and post-production.
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Post Production for Producers
CUAPOS511 - Edit complex media production
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Students are instructed in motion picture editing and post-production techniques. They will gain an understanding of non-linear editing, post-production audio, visual effects, and professional postproduction workflow.
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Entertainment Law & Business Practices I
CUAIND512 - Enhance professional practice using creative arts industry knowledge
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This subject introduces the student to the legal and business aspects most commonly encountered in the entertainment business. Topics include intellectual property, fair use, clearance, and licensing issues, music and trademark, and basic contractual terms and clauses. Students are further introduced to business entities, distribution, and marketing models for studio and independent films.
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Writing the Feature Film & TV Pilot Treatment
CUAPPR411 - Realise a creative project
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Through in-class instruction, workshops, and drawing on basic character and story structure principles learned in ‘Elements of Screenwriting’, students will develop an original story and write a feature film or TV series treatment. During this process, students will learn how treatments “sell” stories, the similarities and differences between motion picture and television story development, and how to write a compelling treatment that meets industry standards.
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Business Affairs
CUAFIM411 - Obtain revenue to support operations
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This subject builds on the skills acquired in Entertainment Law and Business Practices I by introducing the student to the complex contractual negotiations in compensation and deal structure. Students learn about finding and raising revenue to develop and make films and become familiar with the various techniques used to finance both studio and independent films. Students will learn how to do market research and create a case study presentation.
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Business Plans & TV Show Bibles
CUAIND412 - Provide Freelance Services
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Through discussions and analysis of case studies, students will learn the critical skills to develop effective feature film business plans and television show bibles. Elements covered include developing an effective casting strategy, how to craft a comparable film or series table, and creating an appropriate financing and marketing strategy. The feature business plan and television-show bible developed in this course will be presented at the Producer’s Pitch Fest. Students will learn how about the preparation work required to operate as a freelance creative/ freelance producer.
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